This savage, exciting, low-budget, revenge thriller draws its inspiration from Yasuomi Umetsu's violent Japanese anime actioneers. When you watch this nimble, 89-minute opus, you'll find yourself thinking about super-charged movies that Luc Besson either directed or produced, such as "La Femme Nikita," "Columbiana," and "District B13." Kinetically staged by Ralph Ziman, primarily known for "The Zookeeper" and "Gangster's Paradise: Jerusalema," "Kite" delivers non-action with a minimum of exposition and pulsating <more> soundtrack. A gorgeous-looking teenage girl, Sawa India Eisley of "Underworld: Awakening" , searches obsessively for the dastard who murdered her parents. She carries out her quest for vengeance with the help of a police officer, Lieutenant Karl Acker Samuel L. Jackson of "Pulp Fiction" , who knew her mom and dad. He isn't pleased with her audacious vigilantism. Zimon thrusts us into the thick of the action in the opening scene as a despicable Russian, Mikhal Kratsov Jaco Muller hauls Sawa into an elevator where he tries to have bang-up sex with her. An elderly woman in the elevator with them complains about their behavior, and Kratsov smashes her glasses. Sawa kicks him in the face. Brandishing a huge looking automatic pistol, she blasts him at point blank range. Although she blows a hole in his hand, she isn't content to let him get off that easily and obliterates his noggin with another shot from her 9 mm. Our heroine stays strung out on a narcotic called Amp, and nothing comes between her and her quarry. When Acker isn't around to watch over her, Oburi Callan McAuliffe of "The Great Gatsby" shows up and rescues her a couple of times. Oburi is an athletic type who leaps and lunges around in Parkour and always has an appropriate weapon for every occasion. Basically, Sawa masquerades as a hooker to track down the Emir who operates a flesh trafficking ring. Society has broken down since an economic collapse and state security is a joke. Gangs terrorize the streets and abduct children that they sell to an international cartel run by the Emir. Sawa displays no qualms about killing anybody associated with the Emir. The action sequences are impressive and Ziman has a knack for orchestrating some terrific shoot-outs. After watching this sizzling thriller, I want to see how it stacks up with Yasuomi Umetsu's Japanese anime outings. Sawa's adversaries are repugnantly evil to the core. No matter what corner these hellions have her shackled up to, she exhibits resourcefulness galore in a pinch. She slices up her opponents without mercy, whacking off one villain's head, shoving a skewer through another guy's head, and blasting the brains out of a number of rugged looking gunmen. Mind you, Sawa doesn't go unscathed; she takes a multiple beatings along the way and sheds blood. India Eisley makes a sympathetic but take-no-prisoners heroine. Samuel L. Jackson lingers more often than not on the periphery of the bloodshed, but he still makes an important contribution to the narrative. You'll enjoy this lean, mean, slam-bang thriller. "Kite" was lensed on atmospheric locations in South Africa. <less> |